Fresco Painting 
   by Fleur Kelly 
  
    - Introduction:	
      What is fresco? Why use fresco? 
      The need for buildings to "breathe". Properties of lime. 
      The carbonation of lime.  
    -  Mortars, 
      pigments and mediums
 
    - The 
      work: Stud frames and portable surfaces for painting in fresco.
 
    - Mortar 
      layers: arriccio, intonaco.
 
    - Buon 
      fresco painting
 
    - Mezzo 
      fresco 
       
    - Secco 
      painting 
       
    - Procedures: 
      giornate.
      cartone, sinopia and spolvero.
       
    - Further 
      techniques: stucco lucida and sgraffito. 
       
    - Incised 
      and impressed three-dimensional work 
       
    - Specialist 
      suppliers
       
    - Basic 
      equipment
       
    - Brief 
      history of the use of fresco
       
    - Useful 
      background reading on technique
      Cennino d'Andrea Cennini: 7he Craftsman's Handbook (II Libro dell'Arte), 
      translated by D.V. Thompson Jr (Dover 1954). Vasati on Technique, translated 
      by Louisa Maclehouse (Dover 1960). Ralph Mayer, The Artist's Handbook of 
      Matetials and Techniques (4th revised edition, Faber and Faber 1982).